![]() ![]() The Parametric EQ has presets to get you started, and the Effects Rack applies a series of Effects based on a Preset you pick like “DeEss & Limit Female Voice Over”. Use to EQ to roll off low end rumble (high pass filter) and high end hiss (low pass filter). Just like color correction lets you focus on specific colors, EQ lets you cut or boost a particular frequency. I find a lot of parallels between color correction and EQ. The Adobe Help site covers this in detail and I have an article here.ĮQ is used to shape the sound. “Dehummer” will remove power line hum, (the 60 Hz preset works well for the USA) “Noise Reduction (process)" is helpful for cleaning up on camera audio and noisy environments. Reduce the noise first, otherwise if you compress first you will make the noise louder. ![]() There is an order of operation to Audio Post. Just like Editing ( assembly to rough cut to fine cut) & Color Correction ( Primary & Secondary) In Audition make your changes, then go to File >Export > Mixdown and export a mix to bring back into After Effects. (Multitrack > Export to Premiere Pro).įrom the Edit Menu select “Edit in Adobe Audition”. Send the complete Sequence to Audition, make your changes and then export a mix back into Premiere Pro. * b) Edit in Audition as a Sequence (Premiere Pro)* ![]() Make your changes in Audition, pop back to Premiere Pro and the file is updated. Right click on a clip and select “Edit in Adobe Audition”. * a) Edit in Audition as a Clip (Premiere Pro)* Exporting to Audition - 3 ways to get to Audition In this article I look at exporting to Audition, approaching audio post, using plugins, and some resources to make the journey easier. If you have Adobe Production Premium or the Creative Cloud, you have Adobe Audition. In the days of shrinking budgets and expanding responsibilities, being able to do your own basic audio work like reducing noise is a plus. Adobe Audition is a powerful but approachable audio tool that lets you quickly improve your audio. ![]()
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